In past years, the schola cantorum (Latin for "school of singers") here at Bishop Simon Bruté College Seminary was made up of those who sang at Sunday liturgies. While this way of arranging Schola seemed most practical, it restricted Schola to those who already felt comfortable in the world of singing. This year at Bruté we decided to take a different approach. We restructured Schola practice so that it would be less focused on preparing for Sunday Mass and more on learning about the Catholic heritage of liturgical music. We found this to be much more inviting: we are happy to say that 18 of the 19seminarians at Bruté are now members of the Schola. Each week we gather for vocal exercises, solfeggio practice, and a whole lot of camaraderie. We are even blessed with the assistance of the choir director from Holy Rosary parish, who holds a biweekly Gregorian chant workshop for us.
The driving force to get as many seminarians as possible involved in the schola was a simple conviction: beautiful music is not only for the experienced, but for every soul. Beauty is the attractive power of the truth. When we see or hear something beautiful, we encounter the truth of who God is.
Liturgical music (the kind of music we are studying here at Bruté), has the same revelatory power. More than merely pleasing the sensibilities of those present, music in the liturgy makes active and present an otherwise intangible spiritual reality: the Song of Heaven. We can call this music beautiful to the extent that we glimpse the Song of Heaven here on earth.
In the Church’s wisdom, she has championed certain forms of music that most effectively convey this truth. Of all these, Gregorian chant holds the primacy. There are many reasons for this, but I will offer just two. First, chant gives prominence to the words of salvation history (usually from Sacred Scripture), as its melodies “come out” of the text, as opposed to the text being forced to fit a melody (as in many hymns). Secondly, being without meter, chant possesses a uniquely spiritual character. It sounds like a continuously flowing river, carrying the soul up to heaven through its ethereal movements. This primacy of Word and Spirit excellently mirror that Song that the Word sings through the Spirit to the Father in perfect adoration. We are so blessed to be immersed with this sort of music here at Bruté.
Whether the seminarians will go on to be trained singers is not the principal goal of the Schola. Rather, we are content that they are becoming aware of the Church’s rich musical heritage and in turn becoming better equipped to help others appreciate its beauty. If it is true that Our Lord “desires not the death of any sinner, but that he be converted and live” (Ezekiel 18:23), then we can be confident that Our Lord wants every human being to take part in His wedding feast. We hope that Schola at Bruté will inspire the Church’s future priests to bring this reality ever closer to Christ’s faithful. Having tasted the good things of God through beautiful music, the faithful may know that their happiness lies in the vision of the Almighty.